Picture Farm Gallery is proud to present the imagery of Paul Colt in the gallery space for a one week pop up starting this coming Saturday night.
Mr. Colt has been described as “local zen master of the Lower East Side, a painter and veritable raconteur from some nightmare dreamscape involving Melvin Van Peebles, Gil Scott Heron, Henry Miller, and Louis-Ferdinand Céline.”
And while many don’t know his real name (some say Chavis, Colt, Seale…his alias assumed to avoid heat from his days in the Black Liberation Army) his outside-inside art, his anti-Symbolist hagiography matched with his outsized persona offers a glimpse into a creative mind seldom experienced.
Paul Colt Opening Reception
August 27th 6PM to 9PM
Picture Farm Gallery
338 Wythe Avenue
Brooklyn, New York
Mark Beukes has been a part of the local neighborhood art community for the better part of the last two decades and is now suffering from the rare disorder Myelodysplastic Syndromes. Juliet Kravchuk, Max Sternberg and a host of others are throwing a one-night party fundraiser to help him battle the this disease.
There will be an amazing array of art on offer starting at incredible, below market prices in a silent auction to help with medical and cost of living expenses.
There is currently a fund for Mark set up online, but this will be a great way to support and will offer up some incredible gems and a good time for a long time fellow community member.
Picture Farm Gallery is proud to host The Universal Solvent Collective this Saturday night, presenting “NEW ARRIVALS”, a video program of short pieces made by a group of amateur American filmmakers. The film selections have characteristics similar to diary entries, all of them capturing short moments in time.
The line up:
“wistful thinking” // Julia Kipnis
“A Hydrant High” // Charlie Rosario
“March to June” // Robert Orlowski
“vegas” // Philip Steiger
“EXIT 9″ // Joseph Barglowski
This event will mark the premiere of “EXIT 9″, the only fiction piece in the program. The film attempts to appropriate this diary-method of filmmaking in a narrative form by following the behaviors of a girl whose repeating actions lead her to similar outcomes. “EXIT 9″ was made by Joseph Barglowski and shot on 16mm by Robert Orlowski, featuring Kati Rehbeck in her acting debut.
“NEW ARRIVALS” will be screening on the night of Saturday, June 18 at 7:30PM at Picture Farm Gallery in Williamsburg, Brooklyn. Food and drinks will be provided.
The children of Picture Farm more often than not spend some of their most formative years at Mi Escuelita, a local preschool. And every year we are proud to present their year end children’s art show. Last year Mi Escuelita concentrated the show around Nepal, raising $14k for Helter Shelter while teaching the children about art, culture and empathy. This year the focus is on Africa and responsible tourism.
All local art lovers are invited to stop in and enjoy the party and check out the great work Mi Escuelita does with the children entrusted to it. And especially, if you’re looking for a preschool for your child, this is a great opportunity.
From Tia Yvonne:
Mi Escuelita cares about our endangered species community conservation and responsible tourism.
This year we focused on the continent of Africa. We have taken the little ones on a conscious journey through the African continent, exploring it’s animals.
Please help us by donating to the Lewa Wildlife Conservancy which is an award-winning catalyst and model for community conservation, a UNESCO world heritage site.
Any donations made will be donated directly to Lewa wildlife conservancy…”
Direct to donations to:
Picture Farm Gallery is stoked to announce the third annual It Doesn’t Not Work local surfboard shaping exhibition.
The process of surfcraft design is not one limited to the big machines of the surf industry, or solely belonging to the heralded masters of the craft, it is a living folk art on an equally democratic level. It is a continually evolving conversation between local craftsman and the sea… and the creations that relationship spawns.
The IDNW inaugural event took place in May of 2014, a result of some mental sparks between S.M.A.S.H Surf’s Tyler Breuer, Imaginary Surf Co.’s David Murphy and Picture Farm’s Toddy Stewart. In April of 2015, the show would go on with the inclusion of Board Porn’s Ron Schein to the team. The 2016 version expands further to include Desiree Melendez to our operational cast.
It Doesn’t Not Work is a surf craft exposition that explores the process of the art & craft of surf-riding design, the event aims to discuss these experimental shapes, work-in-progress projects and tried-and-true formulas. It is a time of conversation and camaraderie, good times and good razzing.
The 3rd Annual IDNW event will be held at Picture Farm Gallery on the weekend of May 13, 14 & 15, 2016. and for the first time coincides with the annual Fish Fry held out in Long Beach, Long Island (swell permitting.)
Prospective participants can submit their works of art, failure and middling successes at the IDNW website. The show is free of charge and open to all ages, surfer and gawker alike. For those not so in the know, it is a perfect moment to acquaint yourself with some of the best parts of surf culture and ask all the dumb questions about surfboard design that have been burning a hole in your mental pocket.
Picture Farm Gallery is proud to announce the upcoming exhibition of Paola Citterio, a member of our community and neighborhood, and an artist whose work we are privileged to present.
The show opens April 8 with a reception form 6 to 9 PM and will be on view until the 8th of May.
“It struck me, what quality went to form a (WO)Man of Achievement, especially in literature, and which Shakespeare possessed so enormously- I mean Negative Capability, that is when (WO)man is capable of being in uncertainties. Mysteries, doubts, without any irritable reaching after fact and reason.”
– John Keats
There are times when I have to push, prod and pummel my way through life. Then, there are others when I let life lead me. My work develops in much the same way. I often have no idea where it’s going when I begin. The joy, for me, lies in the uncertainty; in embracing that void. The raw materials are all here: my yarns and the lost objects found by family and friends in this city I love. So, too, are the tools: the rigorously hand-made male tools, also kindly provided by the city. It is the process that is the true revelation. I use a needle felt technique. Which translates into hours of constant jabbing, pushing, probing, puncturing. This repetition, the relentless rhythm of it, creates a momentum. A momentum that not only gives birth to the piece itself but that also transports me.
I am Italian. I grew up in a home and a country with clearly defined, traditional male/female roles. My father supported us as a metal worker. My mother ‘kept house.’ She cooked. She cleaned. She knit. My mother was an obsessive knitter. Always with a delicious, flaky crostata nearby. (A crostata, by the way, is an Italian tart filled with home-made fruit jams.)
These ‘old world’ origins are as much a part of my art as the crostata I still make for my family in Bed Stuy. As for the work? The metal tools, the soft, warm wool fibers and of course, the process… They are all about a ‘new world.’ A world in which as a woman and an artist, I believe we must push past those traditional assumptions, penetrate myths and provoke questions. Yes, this creates uncertainty and doubt. But doubt keeps the door open. Not just in life but in art. My only wish tonight is that everyone who sees these pieces hanging on a wall might also have the pleasure of tasting my home-made crostata. Maybe next time…
PAOLA CITTERIO was born in 1964 in a small village close to Milan, Italy. She received her Bachelor of Art degree in Scenografy from Nuovo Accademia di Belle Arti, NABA, in Mailan 1986. For the next fifteen years she would work as a set designer for theater, film and commercial productions.
In 2001, Paola moved to New York City and found artistic inspiration in her family life, creating pieces that blend the traditional craftwork she learned from the women in her childhood home (knitting, sewing, felting and baking) with found objects from the city streets around her.
There is always an element of surprise in Paola’s work, as she likes her audience to engage with her pieces and discover them inside and out.
“La trama non compare perche’ l’efffetto voluto e’ di stupore, ma lento molto lento e’ lo scorrere del tempo necessario alla sua risoluzione.”
And besides…the last time we had Paola at Picture Farm was one of the best nights of the gallery’s life.
The show opening for Yuri’s Sumi & Shu exhibition was so much fun. It was a busy night and great party with local artists, lovely neighborhood lurkers and art lovers of all stripes showed up to have fun.
Picture Farm’s Jamie Lansdowne and Toddy Stewart produced a projection piece momento for the event, documenting three years of Yuri’s mural installation in the gallery foyer:
Photos courtesy of State Of Wonder
Picture Farm Gallery is looking forward to presenting to the public Yuri Shimojo and Sumi And Shu, a collection of paintings spanning 2000-2015.
Currently working out of Kyoto, Ms. Shimojo still maintains a base in Williamsburg, the neighborhood in which she has lived for the last two decades. As an integral part of the expat artist and street art community, she returns to Brooklyn specifically for this show and to refresh Picture Farm’s front foyer mural for the new year.
“A Tokyo-born last-samurai-bohemian, Yuri Shimojo has been expressing her life through painting, journaling and dancing since her childhood. Yuri’s works often depict the ethereal , serene, sensual , exquisite yet grotesque, ominous and even whimsical. Hopping between urban and tropical jungles, Brooklyn and hideaway in Hawaii, these two extremes balances her yin and yang inspiring her creativity. In addition to her art practice,Yuri is drawn to the world of indigenous cultures, which has led her studying universal shamanism as a certified healing practitioner and intuitive animal communicator.”
Read more about her journey and see more of her work at YuriShimojo.com
The exhibition will open on Friday January 29th, form 6-10pm and will run from the 30th of January until February 29th.
“Yuri has been expressing her life through painting, journaling and dancing since she was 3 years old. Her upbringing in Tokyo was a very unconventional one – learning Japanese traditional arts and experiencing foreign culture through traveling abroad. These two elements, so drastically different, have influenced her work throughout her entire life.
Now, living the nomadic bohemian lifestyle, she explores the planet from the heart of metropolis to the outposts of the world wherever being guided by her own intuition while hopping between her base pad Brooklyn studio, Tokyo apt and her tropical jungle hideaway in Hawaii. This life balances her creative & spiritual yin and yang’. Besides her artistic endeavor, she is drawn to the world of indigenous cultures and has led her studying universal shamanism as a Reiki master. She is also a member of the art collective Barnstormers.
Yuri Shimojo has published several books in Japan, including: “Makkana Mangetsu~Crimson Full Moon”(1995), which showcase her earlier illustration works;”Vagabonds” (2001), a picture journal from her trip in Central America and Mexico. “Chiisana Rakugaki~Tiny Scribble” (1997), an autobiography of her unique childhood, which has just republished in 2007.” – Art In Brooklyn, 2008
We look forward to seeing you at the opening.
The Picture Farm Community Space is excited for Oroboro to host local fashion standouts Lauren Manoogian, Erin Considine, Dieppa Restrepo, Keetja and Electric Feathers for a trunk show, sample sale winter designer extravaganza.
December 5th & 6th, 11 AM to 7 PM at PF Gallery.
Picture Farm Gallery announces a winter exhibition featuring photographic work from Braden King and Monia Lippi on the Southwestern United States Desert.
The images from Braden King’s series “Not Stopping” follow his travels through the hidden throughways of the American Southwest. His moving vantage point, peering along the creviced seams of the National Highway System, captures the darkly stark places we inhabit in between here and there.
Monia Lippi’s series “At 36000 Feet” is an ongoing project of aerial photographs of the Southwestern United States desert landscapes. Images of ancient geological formations and modern human traces, where abstract beauty of immense spaces, crossed by salty valleys, lines and points, and new high-technology forms, seem part of a futuristic place in a contrasting, mysterious time.
The show opens with a public reception on Saturday November 14th at Picture Farm Gallery in concert with a third voice of the American experience, a one-night screening of JR’s “Ellis
” in the gallery space.
King & Lippi’s work will be on show through January 2016.
Special thanks to Alex Zafiris for curatorial support.