The show opening for Yuri’s Sumi & Shu exhibition was so much fun. It was a busy night and great party with local artists, lovely neighborhood lurkers and art lovers of all stripes showed up to have fun.

Picture Farm’s Jamie Lansdowne and Toddy Stewart produced a projection piece momento for the event, documenting three years of Yuri’s mural installation in the gallery foyer:

Photos courtesy of State Of Wonder




Picture Farm Gallery is looking forward to presenting to the public Yuri Shimojo and Sumi And Shu, a collection of paintings  spanning 2000-2015.

Currently working out of Kyoto, Ms. Shimojo still maintains a base in Williamsburg, the neighborhood in which she has lived for the last two decades. As an integral part of the expat artist and street art community, she returns to Brooklyn specifically for this show and to refresh Picture Farm’s front foyer mural for the new year.

“A Tokyo-born last-samurai-bohemian, Yuri Shimojo has been expressing her life through painting, journaling and dancing since her childhood. Yuri’s works often depict the ethereal , serene, sensual , exquisite yet grotesque, ominous and even whimsical. Hopping between urban and tropical jungles, Brooklyn and hideaway in Hawaii, these two extremes balances her yin and yang inspiring her creativity. In addition to her art practice,Yuri is drawn to the world of indigenous cultures, which has led her studying universal shamanism as a certified healing practitioner and intuitive animal communicator.”

Read more about her journey and see more of her work at YuriShimojo.com

The exhibition will open on Friday January 29th, form 6-10pm and will run from the 30th of January until February 29th.

“Yuri has been expressing her life through painting, journaling and dancing since she was 3 years old. Her upbringing in Tokyo was a very unconventional one – learning Japanese traditional arts and experiencing foreign culture through traveling abroad. These two elements, so drastically different, have influenced her work throughout her entire life.

Now, living the nomadic bohemian lifestyle, she explores the planet from the heart of metropolis to the outposts of the world wherever being guided by her own intuition while hopping between her base pad Brooklyn studio, Tokyo apt and her tropical jungle hideaway in Hawaii. This life balances her creative & spiritual yin and yang’. Besides her artistic endeavor, she is drawn to the world of indigenous cultures and has led her studying universal shamanism as a Reiki master. She is also a member of the art collective Barnstormers.

Yuri Shimojo has published several books in Japan, including: “Makkana Mangetsu~Crimson Full Moon”(1995), which showcase her earlier illustration works;”Vagabonds” (2001), a picture journal from her trip in Central America and Mexico. “Chiisana Rakugaki~Tiny Scribble” (1997), an autobiography of her unique childhood, which has just republished in 2007.”Art In Brooklyn, 2008

We look forward to seeing you at the opening.



The Picture Farm Community Space is excited for Oroboro to host local fashion standouts Lauren Manoogian, Erin Considine, Dieppa Restrepo, Keetja and Electric Feathers for a trunk show, sample sale winter designer extravaganza.

December 5th & 6th, 11 AM to 7 PM at PF Gallery.



Picture Farm Gallery announces a winter exhibition featuring photographic work from Braden King and Monia Lippi on the Southwestern United States Desert.

The images from Braden King’s series “Not Stopping” follow his travels through the hidden throughways of the American Southwest. His moving vantage point, peering along the creviced seams of the National Highway System, captures the darkly stark places we inhabit in between here and there.


Monia Lippi’s series “At 36000 Feet” is an ongoing project of aerial photographs of the Southwestern United States desert landscapes. Images of ancient geological formations and modern human traces, where abstract beauty of immense spaces, crossed by salty valleys, lines and points, and new high-technology forms, seem part of a futuristic place in a contrasting, mysterious time.


The show opens with a public reception on Saturday November 14th at Picture Farm Gallery in concert with a third voice of the American experience, a one-night screening of JR’s “Ellis” in the gallery space.


King & Lippi’s work will be on show through January 2016.


Special thanks to Alex Zafiris for curatorial support.


Picture Farm Gallery is proud to present ELLIS a film by the iconic street artist JR, the evening of November 14th 2015.

ELLIS awakens our collective memory, taking you back to the early years of Ellis Island through the experience of one immigrant.

Set in the abandoned Ellis Island Hospital complex and using JR’s UNFRAMED art installations, ELLIS tells the forgotten story of the immigrants who built America. It is the story of the ghosts of our countries past, the individuals who fled poverty, discrimination, and dictatorships, for a chance at a new life and eerily foreshadows the plight of those who currently seek the same opportunities and safety in this country and other parts of the world.

The short narrative film stars Academy Award Winner Robert De Niro, is written by Academy Award Winner Eric Roth, and is directed by the artist JR.”


The screening will coincide with the opening reception for Monia Lippi & Braden King’s photographic exhibition “At 36,000 Feet/ Not Stopping.



Anna Harrah’s oil on paper work makes one conjure the distinct possibility that Kazimir Malevich and Albert Einstein had a love child who currently practices Tantric paintings.

Picture Farm Gallery is pleased to announce the opening reception for her 4 Corners  exhibition this Saturday, October 24th from 5 – 9pm.

“4 Corners is a figuration of time referencing undefined geometry terms and using the cube as a subject. Point, line, plane and set all define the parameters of inquiry.

‘Time does not move linearly, and from the four corners and literal paths that we take, we can often travel in time, experiencing things once past and altogether existing on the same plane in our sensory understandings.’

The body of work is an execution and exploration of color combination and surface tension, drawn from all things experienced, seen and forgotten. It’s a way to move through and on.”  – Anna Harrah


Saturday, October 24th
Reception 5pm – 9pm.

Sunday, October 25th
Gallery Hours 12 – 6pm.

Oct. 26 – Nov. 6th.
By Appointment.



Autumn Pop Up #1 : James Victore : October 17&18


PF Gallery announces JAMES VICTORE EXHIBITION-IST, a one-weekend pop up exhibition representing the best of of the last 20 years of James Victore’s creative energy. The show includes one-of-a-kind ceramics, limited edition prints and posters and original hand painted surf and skateboards.


A long-time Williamsburg fixture, James has endured a long, storied and generous output of design ideas and groundbreaking conceptual think-throughs. His work has been exhibited twice at the Museum of Modern Art in New York and is represented in the permanent collections of museums worldwide including the Louvre in Paris and the Stedelijk Museum in Amsterdam. A monograph of his work titled, “Victore or, Who Died and Made You Boss?” was published by Abrams. He lives, loves and works with his wife and partner, Laura Victore in Brooklyn.”


“The best exhibition since Matisse”— The New York Times






PF Director Smriti Keshari presents “Night Of Noir” at the Wythe Hotel Cinema. Teaming up with Picture Farm Gallery and London-based film criticism journal Little White Lies, Smriti and PF Producer Arianne Culley are offering a weekly series of rare Noir films from around the world, followed by a discussion with expert critics about the creative and political context within which the film was made, bringing a deeper understanding of each film by focusing on direction techniques, sound, composition and camera movement.

Surprise guest speakers will be announced in the weeks before each engagement.

Please RSVP for this very special event!



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Picture Farm is excited to announce a pop up exhibition and auction of the work of the photographer Jianca Lazarus. Her experiences in and out of the water, in rough and restive places and amongst some of the most interesting moments life has to offer make for amazing imagery. In a photographic orbit so often dominated by men, she has made a name for herself as one of the most exciting and ready photographers.

Her work goes up for public viewing on our walls Thursday, July 9th from 6 to 10PM. Please join us for libations, talk and the sort of camaraderie this neighborhood was once known for.

“Born in Johannesburg in 1979 and raised in Cape Town, South Africa, Jianca Lazarus learned to surf at Glen Beach and picked up her first camera at 16. She combined the two at her home breaks, but also on adventures to Kommetjie and J-Bay – because any surf trip in South Africa is an adventure. South Africa was wild enough, but wanting further adventures, Jianca packed up moved to New York City in 1996 when she was 17. Fresh out of high school and fresh off the boat, a girl with a funny accent in the big city, Jianca found work in the production side of the Film and Event industry in NYC.

 Jianca landed like a leopard in New York, finding her feet pretty quickly and working on the production side of music events like The Village Voice Siren Music festival, and also numerous TV commercials and music videos. Established in New York and with plans to travel and shoot, Jianca chose to completely focus on shooting photography professionally in 2007. 

 With four group shows and three solo shows under her belt, she now roams the world like a bedouin photographer, dividing her time between New York, Hawaii, along with quick trips to El Salvador and wherever else catches her fancy. Raised in the split culture of South Africa, Jianca is fascinated by the world’s cultures on land and at sea, from deep water surfing in El Zonte to the dusty colorful streets in the township of Guguletu. Being a complete free spirit self- taught she captures vibrant dynamic use of color and the truth no matter how bad or good it can be and shows with clarity facets of life that the world often regard with blind eyes.”


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